Bibliografia

ADORNO, T.W, Prismas: Crítica Cultural e Sociedade, Ática, 1998
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BENJAMIN, Walter. Sobre o Conceito da História, in "Obras Escolhidas; Magia e Técnica, Arte e Política", Volume 1, São Paulo, Brasiliense, 1985, pp 222-232.
BISHOP, Claire. (ed.) Participation – Documents of Contemporary Art. Cambridge, MIT, 2006
BURGER, Peter. Theory of the Avantgarde. Minneapolis, University of Minnesota Press, 1989.
BUTLER, Cornelia, et al. From Conceptualism to Feminism: Lucy Lippard’s Numbers Shows 1969–74, London, Afterall Books (Exhibition Histories), 2012
CANCLINI, N., Culturas Híbridas: Estratégias para Entrar e Sair da Modernidade, São Paulo, EDUSP, 1990
CANCLINI,Néstor. A globalização imaginada, (2003), Ed. Iluminuras, São Paulo.
CASTELLS, M. A Sociedade em Rede, vol. I, S. Paulo, Paz e Terra, 2000.
COELHO, Teixeira. Dicionário Crítico de Políticas Culturais, São Paulo, Iluminuras, 1997.
CHIARELLI, Tadeu Grupo de Estudos de Curadoria, São Paulo, MAM, s/d
CRIMP, Douglas. On The Museum’s Ruins. Cambridge, Massachusetts: The MIT Press, 1993.
DUPUY, Jean. Collective Conciousness: Art Performances in the Seventies. New York: Performing Arts Journal Publications,1980.
DEMEESTER. A., VAN DUYN, E. FOLKERTS, H. The Shadowfiles: on Curatorial Education, Amsterdam, de Appel arts centre, 2013
FERRAZ, Marcelo Carvalho. org. Lina Bo Bardi. São Paulo: Instituto Lina Bo e P.M. Bardi, 1993
FIALHO, Ana Leticia, KUNSCH, Graziela (org.) Relatos Críticos: Seminários da 27a Bienal de São Paulo, São Paulo, Forum Permanente & Hedra, 2011
FORUM PERMANENTE: Museus de Arte entre o Público e o Privado, http://www.forumpermanente.org
GERGEN, Kenneth The Saturated Self; Dilemmas of Identity in Contemporary Life, N.Y. Basic Books, 1991
GILLICK, Liam and Maria Lind (eds.) (2005) Curating with Light Luggage, Kunstverein Munchen/Revolver.
GREENBERG, Reesa, Ferguson, Bruce and Nairne, Sandy (eds), Thinking about Exhibitions, London, Routledge, 1996
GROSSMANN, M. MARIOTTI, G. Museu_Arte_Hoje; São Paulo, Fórum Permanente & Hedra, 2011
FOUCAULT, Michel, As Palavras e as Coisas, Uma Arqueologia das Ciências Humanas; São Paulo, Martins Fontes, 1999
HANNULA, Mika (1998) Stopping the Process: Contemporary views on art and exhibitions, Helsinki: Nifka
HARRISON & WOOD. Art in Theory: 1900-1990. Oxford, Blackwell,1992.
HENRI, Adrian. Total Art: Environments, Happenings and Performances. New York: Oxford University Press, 1974.
HERTZ, Richard. (org.) Theories of Contemporary Art. New Jersey: Englewood Cliffs, Prentice-Hall, Inc., 1985, pp. 215-224.
JONES, Amelia. Body Art: Performing the Subject. Minneapolis: University of Minnesota Press, 1998.
KRAUSS, Rosalind, Caminhos da Escultura Moderna,Martins Fontes, São Paulo, 1998
KRAUSS, Rosalind,. The Originality of The Avant-Garde and Other Modernist Myths. London: MIT Press, 1985.
KRAVAGNA, Christian, The Museum as Arena Cologne, Kunsthaus Bregenz, 2001
KWON, Miwon. (2002) One Place After Another: Site-specific Art and Locational Identity. Cambridge, Mass. and London.
LIND, Maria and Raimund Minichbauer 9eds.) (2005) European Cultural Policies 2015: A report with LIPPARD, Lucy R. The Pink Glass Swan: Selected Feminist Essays on Art. New York: The New Press, 1995. Scenarios on the Future of Public Funding for contemporary Art in Europe, IASPIS & EIPCP
MALRAUX, André O Museu Imaginário, Lisboa, Edições 70, 2011
MANIFESTA (2003 - ) Manifesta Journal: journal of contemporary curating, Amsterdam: International foundation Manifesta.
MC EVILLEY, Thomas. Art & Discontent: Theory at the Millenium. Document/Text McPherson & Company. New York, 1993.
MIRZOEFF, Nicholas (org.) The Visual Culture Reader. London: Routledge, 1998. MC EVILLEY, Thomas. Sculpture in the Age of Doubt. Allworth Press. New York, 1999.
MOURA, Rodrigo Políticas Institucionais, Práticas Curatoriais, Belo Horizonte, MAP, 2004
MULLER, Vanessa Joan and SCHAFAHUSEN, Nicholas [Eds.] (2006) On Construction Perspectives of Institutional Practice, Cologne: Verlag der Buchhandlung Walther König.
OBRIST, Hans Ulrich Uma Breve Historia da Curadoria, São Paulo, BEI, 2010
O’DOHERTY, Brian. Inside The White Cube: The Ideology of The Gallery Space. San Francisco: The Lapis Press, 1986.
OITICICA, Hélio. Aspiro ao Grande Labirinto. Rio de Janeiro: Rocco, 1986.
OLIVEIRA, N., OXLEY, N., PETRY, M.. Installation Art. London: Thames and Hudson, London ,1996.
O’NEILL, Paul [Ed.] Curating Subjects, London: Open Editions. 2007
O´NEILL, Paul & Wilson, Mick (eds), Curating and the Educational Turn, London: Open Editions, 2010
RAMOS, Alexandre Dias (org) Sobre o Ofício do Curador, Porto Alegre, Zouk, 2010
RATTEMEYER, Christian, et al. Exhibiting the New Art: 'Op Losse Schroeven' and 'When Attitudes Become Form' 1969, London, Afterall Books (Exhibition Histories), 2011
REVISTA MARCELINA, ano 1, numero 1, 2008
SANDER, Katya and Shekh, Simon [Eds.] (2001) We Are All Normal (and we want our freedom), London: Black Dog Publishing Limited.
SCOTT, Kitty, Raising Frankenstein: Curatorial Education and its Discontents, London, Koenig Books, 2011
SCHWARCZ, Lilia Moritz O espetáculo das raças. Cientistas, instituições e pensamento racial no Brasil: 1870-1930 - Companhia das Letras, 1993.
SCHWARCZ, Lilia Moritz As barbas do Imperador: Dom Pedro II, um monarca nos trópicos - Companhia das Letras, 1998.
SCHWARCZ, Lilia Moritz O Sol do Brasil: NICOLAS-ANTOINE TAUNAY e as Desventuras Dos Artistas Franceses na Corte de D. João (1816-1821) - Companhia das Letras, 2008.
SCHWARCZ, Lilia Moritz D. João Carioca - A corte portuguesa chega ao Brasil (1808 - 1821)" - Companhia das Letras, 2008
SPRICIGO, Vinicius Modos de Representação da Bienal de São Paulo, São Paulo, Forum Permanente & Hedra, 2011
STANISZEWSKI, Mary (1998) The Power of Display: A History of Exhibition Installations at the Museum of Modern Art, Cambridge, Massachusetts: The MIT Press.
STEEDS, Lucy, et al. Making Art Global (Part 2): 'Magiciens de la Terre' 1989 , London, Afterall Books (Exhibition Histories), 2012
TENNERT, Christoph and Ute Tischler (eds.) (2004) Men In Black: Handbook of Curatorial practice, Frankfurt am Main: Revolver.
VON BISMARK, Beatrice, SCHAFAFF,Jörn, WESKI, Thomas (eds.) Cultures of the Curatorial, Berlin, Stenberg Press, 2012
WEIBEL, Peter & Buddensieg, Andrea (eds.), Contemporary Art and the Museum. A Global Perspective, Hatje Cantz Verlag, Ostfildern, 2007.
WEISS, Rachel, et al. Making Art Global (Part 1): The Third Havana Biennial 1989, London, Afterall Books (Exhibition Histories), 2011
WU, Chin-Tao Privatização da cultura: a intervenção corporativa nas artes desde os anos 80, São Paulo, Boi Tempo- SESC, 2006